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	<title>Something&#039;s Gonna Live</title>
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		<title>Robert Boyle on Edward Hopper &#8211; Something&#8217;s Gonna Live Web-Series: Episode I</title>
		<link>http://somethingsgonnalive.com/archives/1</link>
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		<pubDate>Sat, 02 Jun 2012 04:22:10 +0000</pubDate>
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		<description><![CDATA[I am kicking off our new web-series, featuring scenes that did not make the final cut of both The Man on Lincoln&#8217;s Nose and Something&#8217;s Gonna Live.  Sometimes your best scenes hit the cutting room floor because they simply compete with the film as a whole.  Thank goodness for YouTube and the opportunity to share [...]]]></description>
				<content:encoded><![CDATA[<p></p><p>I am kicking off our new web-series, featuring scenes that did not make the final cut of both <em>The Man on Lincoln&#8217;s Nose</em> and <em>Something&#8217;s Gonna Live</em>.  Sometimes your best scenes hit the cutting room floor because they simply compete with the film as a whole.  Thank goodness for YouTube and the opportunity to share these great scenes with our audience.</p>
<p><strong>Episode I: Robert Boyle on Edward Hopper</strong> is one of my personal favorites.</p>
<p><a href="http://somethingsgonnalive.com/wordpress/wp-content/uploads/2012/06/hopper_imageprimacy.jpg"><img class="alignnone size-full wp-image-548" title="hopper_imageprimacy" src="http://somethingsgonnalive.com/wordpress/wp-content/uploads/2012/06/hopper_imageprimacy.jpg" alt="" width="600" height="349" /></a></p>
<p>In 1998, I was inspired to make a movie about my teacher at the AFI Conservatory, the late production designer Robert &#8220;Bob&#8221; Boyle (<em>North by Northwest</em>).</p>
<p>In preparation for filming the documentary, I spent about a year recording and transcribing research interviews and conversations with Bob.  I was still a film student at the time and faced with the challenge of learning about Bob&#8217;s life, the history of production design, his approach to the craft, as well as the daunting task of learning to write and shoot a documentary!</p>
<p>It took me about a year of focused research and interviews to come up with something resembling an outline.  The highlight and turning point was Christmas 1998, when I gave Bob a book of Edward Hopper paintings.</p>
<p>Bob thumbed through the pages of the book, pausing to explain how Hopper’s paintings of small businesses and shops in New York City (“Early Sunday Morning”) and a women sitting alone on a bed, bathed in light (“Morning Sun”) are depictions of the “penultimate moment.” Bob describes the penultimate moment as “The moment before or after something actually happens.  It’s the moment of contemplation.”</p>
<p>I asked Bob to recount a “penultimate moment” from his own work: he selected the crop-dusting sequence from <em>North by Northwest</em>. In <em>The Man on Lincoln&#8217;s Nose</em>, Bob pulls back the curtain to reveal the secret that makes that sequence so powerful, followed by the pronouncement that “One of the problems with a lot of films now is that we’re dealing with too many climaxes, rather than the penultimate moments—which are more interesting.”</p>
<p>I hope you enjoy the first installment in our web-series and invite you to share your thoughts in the Comments section below. For those interested in learning more about Bob Boyle and work, <em>The Man on Lincoln&#8217;s Nose</em> is now available for a limited time as a free 720p digital download.  (Check out the widget in our side bar.)  Thanks for watching!</p>
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